Science Fiction Adventure Storybundle, Out Now!

Hey Party People! Want a huge collection of amazing Science Fiction ebooks? I've got you covered.

Until Thursday, 9 February, Storybundle is hosting a selection of Science Fiction Adventure novels from some of the greatest SFF indie writers today. Curator, Joseph R. Lallo, has this to say about the collection:

“This is one of the biggest and best bundles we've ever put together. Oasis by New York Times Bestseller Dima Zales will blur the line of utopia and dystopia. The complete Big Sigma Series will take you blazing through the galaxy with a desperate race pilot and a quirky AI. Cyborg Legacy, the latest from the prolific and talented Lindsay Buroker is available for the first time anywhere in this bundle. Tim Ward takes the world of Hugh Howey's Sand in cinematic and thrilling new directions with Scavenger: Evolution. Tammy Salyer assembles a rugged team of space marines in Contract of Defiance and Contract of Betrayal. Geoffrey Morrison returns to his deep-sea world of devastation and decay with Undersea Atrophia, and that still only scratches the surface. We've got brilliant series-starters by Patty Jansen, M. Pax, and Joe Vasicek that are sure to hook you from the first page and never let you go. All told, that's fifteen titles from nine authors in one colossal bundle.

Every title is a cunningly woven tale of sci-fi mastery. We've got aquatic wastelands and complex time loops. There are hard-edge military stories and tales of the struggle to survive. The triumph of the human spirit, the fall of civilizations, and everything in between can all be yours. Just name your own price and dive into the action!”

The initial titles in the Sci-Fi Adventure Bundle (minimum $5 to purchase) are:

Cyborg Legacy by Lindsay Buroker

The Big Sigma Collection Volume 1 by Joseph R. Lallo

Undersea by Geoffrey Morrison

Contract of Defiance: The Spectras Arise Trilogy Book 1 by me

Shifting Reality by Patty Jansen

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus EIGHT more!

Bringing Stella Home by Joe Vasicek

Temporal Contingency by Joseph R. Lallo

Undersea Atrophia by Geoffrey Morrison

Oasis by Dima Zales

Stopover at the Backworlds' Edge by M. Pax

Ambassador 1A: The Sahara Conspiracy by Patty Jansen

Contract of Betrayal: The Spectras Arise Trilogy Book 2 by me again

Scavenger: Evolution by Timothy C. Ward

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!For $5-$15, you can pick up over a dozen flights of fancy and lose yourself for hours.

The bundle ends 9 February, so only a few days left to pick it up, either for yourself or to gift to someone else! Just click here. Who knows, you could find your next favorite author.

Lastly, I just happen to have two free bundle download codes that I’m giving away to the first two people who can tell me the first name of my buff-as-f*ck weapons guru known in the Spectras series as Desto. If you know, shoot me an email at tammy (at) inspiredinkediting (dot) com and I’ll send you your very own free download code.

Happy reading!

New Release: Forged From The Stars, a sweeping three-book science fiction collection

Greetings Blogtastics! It's my pleasure to tell you of a new Science Fiction Adventure collection from three authors (at least one of whom you already know *wink-nudge*) out TODAY!

Announcing

FORGED FROM THE STARS

Brought to you by best-selling science fiction series authors G. S. Jennsen, E. J. Fisch, and me.

Collection Includes:

FOREWORD: S. E. Lehenbauer from

The Novel Commentary

STARSHINE: AURORA RISING BOOK ONE (Aurora Rhapsody 1) by G. S. Jennsen

DAKITI: ZIVA PAYVAN BOOK 1 by E. J. Fisch

CONTRACT OF DEFIANCE: SPECTRAS ARISE TRILOGY, BOOK 1 by Tammy Salyer

At

Amazon for Kindle

with a limited-time special release price of 99¢.

SOME WOMEN ARE CONSUMED BY THE FIRE.

SOME

BECOME

THE FIRE.

An elite operative. A war-hardened soldier. A daring explorer. One strikes from the shadows to protect a deadly secret. One strives to reclaim what was taken from her. One searches the void for the answers denied her.Their stories are their own, but they share a gritty determination to fight for what they believe in and an unwavering conviction that they can and will do whatever is necessary to save themselves, those they hold dear and, if worse comes to worst (as it always does), civilization itself.FORGED FROM THE STARS brings you the first books in three exciting, original space opera adventure series, Ziva Payvan, Spectras Arise, and Aurora Rising. These epic tales feature empires that stretch across the vastness of space, suspenseful action as new worlds are discovered and old ones destroyed, thrilling interstellar warfare and deadly conspiracies that promise to reshape galaxies.At the heart of the storm stand three women: Ziva Payvan. Aly Erikson. Alexis Solovy. Forged from the stars, in the face of overwhelming odds they will bend those stars to their will—or die trying.

HELP US GET THE WORD OUT

If you've already read any of the novels in the collection, then you know what a terrific set of books this is. Why not help us get the word out by:

  1. Sending a Tweet or ten. Here's one you can cut and paste: Three Warriors. Three Missions. Three Novels. FORGED FROM THE STARS. http://amzn.to/1nVMNIo By @EJFisch @GSJennsen @TammySalyer #scifi

  2. Leaving a review on the collection for whichever among the novels you've already read. (For instance, if you read CONTRACT OF DEFIANCE, all you have to do is cut and paste your review to the FORGED FROM THE STARS page. Easy breezy.)

  3. Sharing it on Facebook.

  4. And, obviously, getting your own copy here! http://amzn.to/1nVMNIo

Thanks Blogtastics! You're going to love this. And the best thing about it is, each of these novels is merely the first of a series.

To continue E. J. Fisch's Ziva Payvan series, pick up:

To continue G. S. Jennsen's Aurora Rising series, pick up:

WHAT I'VE BEEN UP TO

Writing. Yep, I know it's hard to believe, given how long it's been since I dropped another book. But I wrote one, and now I'm rewriting it. Because—OCD word-nerd perfectionism. I also spoke on a writing panel last weekend at the Orange County branch of the California Writers Club, and, as usual, had a blast. If you're in the SoCal region and want to have me speak for an event, I'm all over it. Just shoot me an email and we'll set it up.

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Crowdfunding Pro-tips by speculative fiction author C. J. Pitchford

Thanks very much to Chris Pitchford for guesting on my blog today. Chris and I go back a few years, originally meeting in 2012 at the Rocky Mountain Fiction Writers Conference in Denver. It was a wonderful conference, of course made even better by making new writing buddies! Chris has some great info to share on crowdfunding novels as an indie author. Read on.

* * *

Thanks to the wonderful hostess with the mostest, Tammy Salyer, for graciously allowing me to unceremoniously scribble all over her blog. And thanks also to you, dear reader! For what? Read on and find out!

But first I’m going to tell you how this is going to work.You see, a year ago I self-published the first book in my historical fantasy series, The Agility of Clouds. And I was desperate. I had no experience—and worse—no idea how I going to market my darling story of the time-slipping Marchioness of Cambridgeshire.So I tried something new (to me): crowdsourcing the marketing at this site called ‘Kickstarter.’ I signed up, created a project along with a video and—not to put too fine a point on it—went crazy launching my book. The result is still available here.Kickstarter is home to all sorts of projects. And, like the name implies, starts the ball rolling in terms of funding and marketing of said projects, games, books, movies, even 3D printing pens (whatever those are). Funding is used for manufacturing, printing, distribution and postage among other things—but not, apparently, living expenses (as seen here).By now you have probably gotten so over the whole Kickstarter thing (captured in the spirit of the times in this ancient Gawker blog post).But let’s move past the parentheticals and talk about me. Specifically, I had already written a novel. It was done. The illustrator illustrated and the editor edited, and they—along with Bowker and the Library of Congress—had all been paid. I formatted the work, wrapped it up in a pretty cover and even got a wonderful blurb from a lovely and talented author. Because it was all done, I didn’t need a starter, but I wanted—desperately, remember—to crowdsource the marketing. I needed to get new ideas, and sought the wisdom of the crowd to learn where I should focus my limited advertising budget.And by that criteria, I failed utterly.Oh, sure. The modest Kickstarter—or, kicklauncher, as I called it—was successfully funded. But no one knows how to independently market new books online. I’m sure you know, regardless of which market, that the fundamentals still and probably always will apply. ‘Word of mouth’ advertising is king and queen; you must keep on your toes by networking; and, my favorite of all fundamentals is pure marketingsauce, ‘fake it ’til you make it.’ But in my Kickstarter, there was no magic or special sauce, and the pursuit of online Virality™ is both ongoing and a neologism.Before I write another word about crowdfunding I must warn you—money is involved. I know. The jaded intelligentsia can just skip this paragraph, of course. For the rest of us? Please don’t do anything online you don’t feel comfortable doing. Also, educate yourself! There are some terrible ideas out there—if someone is promising something that breaks the laws of physics, it’s probably a scam. I mean, I can break the laws of physics all the time—in my stories when I’m writing, that is. But here are some of the worst ideas. (For an overview of criticism about the Kickstarter concept, check out this.)Do you see where I’m going with this? Because I’m a writer, and therefore by definition, a glutton for punishment, I’m doing it all again. I’m crowdfunding my newest book, an adult sci-fi novel where an asteroid miner survives galactic civil war using the life lessons of politically incorrect comic characters, Gung Ho and Little Pluck.But this one’s different. And by different I don’t mean just a different genre and style. I’m trying a site called Inkshares, which does more than just funnel money (although I suppose it does that, too). The website only supports projects that result in books, and actually publishes projects that are successfully funded. I created a project and entered it into The Nerdist Collection Competition, where the top five projects—ranked by number of pre-orders—will be published whether they are funded successfully or not.Here’s the link and I want to thank you for reading, and for checking out my latest attempt at marketing! See? This is how crowdsourcing works—I think. Let me know in the comments below!About the author: C. J. Pitchford (go ahead and call him ‘Chris’—just don’t call him during dinner, it’s a blood sugar thing) lives in Denver, Colorado and once tried to save the world using an almost magical ability to program computers, phones and tablets. He is also the author of the paranormal historical fantasy series, THE HELLEBORINE CHRONICLES, available on Amazon and iTunes.

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Some Days, the Bear Eats You

You just finished that latest novel that’s been burning a hole in your brain for the last six months. You toss off the final “the end,” leave it in the virtual drawer for a couple of weeks (or hours), and then go back, look it over, analyze your flaws and errors, plot, characters, word choices, conflicts, all of it. And finally, after draft two (or ten), you think it’s time to send it out to some first readers. And you wait.And then…no one likes it.That’s right. You sit yourself down, look at all your readers’ notes and feedback and desperate attempts not to crush your spirit, and you finally have to face reality. Your book sucks, it’s boring, it doesn’t make sense, and for godiva’s sake, why are there yetis in space?—or put another way, some days you eat the bear, and some days the bear eats you.So then what? Do you cry, moan, doubt yourself, realize that your dream of being a novelist is akin to dreaming of growing up to be Darth Vader, but with a less vaginal-looking helmet? Do you forsake your inner voice and promise to never again write a word in fun? From here on out, technical manuals only, period, the end.Or do you smile and swallow that delicious, perfectly baked humble pie made especially for you, and think about just how fantastically grateful you are? Grateful, you say, but why? Because, think about it—writing is fun! Because now you know without a shadow of a doubt not only that your book is indeed imperfect, but also why. And guess what? You now have everything you need to jump back into that marvelous mess you’ve created and do more of what you love. You were given permission, nay, encouragement to go back to the playground and play yourself silly. You, my friend, get to keep writing, and that’s exactly what you wanted all along. Hooray, Writer!And that bear that’s been nibbling on you? That guy is just your inner voice, reminding you that no one gets it right all the time, and showing a little backbone and tenacity is what makes you better than you were. Instead of being eaten by the bear, you are the bear.Now go out and roar.

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Spreading the Writing Bug

Greetings Blogglings!One of the great things about being a writer is being part of a large neurotic community of like-minded creative spirits. Despite this Borgishness, however, we still somehow often find ourselves withdrawn and closeted for days, weeks, months? on end, eyeball deep in our next work-in-progress, forgetting to feed our bodies, and even sometimes forgetting to feed our innate need for community and interaction with others of our kind. Many great writing bloggers talk about how important it is to care for ourselves, no matter how hot the fires of creativity are burning, and one of those necessary nourishments is a rubbing of elbows with friends and family, and definitely more writers.Which is why I was so thrilled to be invited by creative mastermind Kevin Staniec, cofounder of the 1888 Center, to speak at the Book Carnival in Orange, CA last month on a panel about the Elements of Genre. Not only was it an excuse to leave my writing cave, but also a chance to share stories and experiences with more folks in the biz and talk a bit about my own writing journey with other curious and interested writers. Talk about a love fest! Other members of the panel included Jon-Barrett Ingels, our moderator, who is also a novelist with Blackhill Press and podcaster of The How They Why fame, both extensions of the hydra that is 1888 Center. Author Kate St. Clair was there to talk about her award-winning YA paranormal novel series (including Spelled, and Cursed). And Martin Lastrapes (author of award-winning Inside the Outside and the recent The Vampire, the Hunter, and the Girl) rounded out the panel with his brilliant and witty insights into becoming, to his great surprise, a horror author. (PS: You might remember when Martin and I got together late last year to swoon over Tom Robbins and writing at his great writing show, The Martin Lastrapes Podcast Hour, too.)If I had to choose two words as my takeaway from the experience of panel speaking to share with other authors, they would be: DO. THIS.This fun, mutually enlightening, and educational-without-being-dry adventure does magic for reinvigorating the writing spirit, filling up the well of inspiration, and being just plain good times. When you have an hour or so, give the podcast a listen to see what I mean. While you're at it, check out the tons of other great guests The How The Why has hosted (I'm currently listening to show 71 featuring Sophie Werely, editor of Shimmer Magazine). You'll come away fully recharged and ready to tackle any new, old, or beckoning writing project.I plan to spend some of my writing time each month into finding new ways to share the joys of writing, and I highly recommend other authors do the same. Look for conventions in your area, or even just get a local group of writing friends together to discuss a writing-related topic and find a bookstore that's willing to host you for an hour. It's a win-win for bookstores and authors—they get to engage and entertain their customers, and you get to talk about doing what you love.If you've been a panelist before, please feel free to share in the comments what your experiences have been and whether you would do it again. And if you're in Southern California, look me up! I'd love to get together over coffee or tea and word-nerd out with you anytime.Cheers!

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Summer Writing Program and Latest News

Greets Bloggoradicals! ’Sup y’all? I know it’s been ages since I dipped my digital quill into the blogoverse, but I have real reasons. Top of the list is that the Amazing Hip and I are buying a condo (because when you live in Orange County that’s what you do!). In short, it’s been a bit of a nightmare, but that’s a long story best told over a pint or five of barleywine. Besides that, I’ve been doing some heavy editing for a series of chick-lit novels coming out sometime next year. The lovely author is English, and I have been having the time of my life honing up on my British slang and speech, and I already feel smarter for it. Because, of course, adding a British accent to anything automatically ups the intellect quotient by a factor of ten, amiright?In Spectras news, the Spectras Arise Trilogy: Omnibus Edition did this crazy thing last month and hit Amazon's Bestseller List for Science Fiction, Galactic Empire. HOLY! I can't tell you what a rush it is to see something like that. It's a total Sally Fields moment, you know?In other news, my latest novel is out to beta readers, and so far the feedback has been good. Which excites me no end—I really went off my usual game with how I crafted this one, so am radically removed from any objectivity over how good (or, let's face it, bad) it might be. I’ll let you know more about it when the subsequent novels in the new series are closer to fruition. Things are a bit behind at the moment thanks to the whole nightmare house-purchasing thing. (Did you know that living out of boxes is quite the creativity killer? True fact.)And finally, I’ll be participating in a panel at the Book Carnival bookstore in Orange on June 27 called The Elements of Genre with authors Martin Lastrapes and Kate St. Clair. The panel is part of the larger Summer Writing Project put on by Black Hill Press, JukePop, and 1888. Here’s a bit more about it from the project website.

Both Black Hill Press and JukePop champion two abandoned mediums. Black Hill Press fights for the novella—a distinctive, often overlooked literary form that offers the focus of a short story and the scope of a novel, while JukePop is rejuvenating the lost art of the serial, pioneered at the dawn of publishing, when authors such as Charles Dickens received critical acclaim and feedback from mass audiences by serializing novels one chapter at a time.This joint venture presents authors with the opportunity to craft their novellas one chapter at a time with immediate quantitative and qualitative feedback from their readers, while also broadcasting their words to an audience eager for the next great storyteller.Throughout the months of June, July, and August, we partner with local bookstores, libraries, and universities to schedule a series of educational lectures, panels, and workshops for the community.Summer Writing Project 2015 begins on June 1 and continues through August 31.

If you’re a SoCal writer, come say hi! The panel series has something for every kind of writer and promises to be a great time for all.So that’s about it. I’ll be falling off the edge of the world again this week as we move to our new house and settle in.PS: Look forward to a bunch of cat pictures in the coming months—because you can’t buy a new condo without populating it with a new furball. I know, I know, you can’t wait, can you?

Enjoy what you've seen so far? Click the follow button or enter your email to subscribe to new posts. Bonus snark to joiners of the newsletter tribe, who get my novel news, including the first look at new stories and invitations to join contests and giveaways. Thank you!

Uptalking Writing with Horror Author Martin Lastrapes

Greets Bloggolicious!

Here's some really cool news. In December, the wonderfully warm, friendly, and talented best-selling indie author Martin Lastrapes invited me to be a guest on his show, The Martin Lastrapes Show. And what a show it was! So fun! I was tickled to visit Martin in his studio and gab for a couple of hours about that thing we all love: writing. I encourage you all to come listen and leave some comments about your thoughts. Admittedly, Martin and I were all over the place with topics, ranging from how we got started in the world of writing, to how authors develop a voice, to what's so intrinsically amazing about Tom Robbins, to marketing, editing, and essentials of cover art for indie authors. This is a show that promises to leave very few stones unturned. And for those we missed, Martin and I have plans to do some more stone flipping in the future. Visit the show and, again, feel free to leave comments and share your thoughts, expertise, and experiences. We'd both love to hear from you!

Listen and subscribe at Martin's show link, Stitcher, iTunes, or right here on Lybsyn.

Now it's time to get serious. It's okay—it shouldn't hurt…much.

Have you ever had that disconcerting moment when you're exposed to a recording or an image of yourself unexpectedly and thought, "Who in hell is this alien-like doppelgänger acting as if she's me? Do I really sound/look like that?"

Fun fact: I'm a feminist, which is to say I spend a lot of time thinking about how women and men harmonize—or don't—in our shared paradigm. (That's the paradigm of being respiring mammals roaming the earth simultaneously and trying to refrain from destroying each other or it, while still enjoying equal access to the great stuff we find here, like coconuts and scotch).

What do these two things have to do first with each other and secondly with Martin's show? This: Are you familiar with the term "uptalk" also known as "upspeak"? In brief, it's that strange vocal lilt some people end spoken sentences with, where their voice rises as if asking a question, even with completely non-questiony statements like "Hi. My name is Tammy." But in upspeak, it sounds like, "Hi. My name is Tammy?" Speaking this way tends to make a person sound uncertain of what they've said, or apologetic, or expectant of being and willing to be contradicted. There's been a good deal of discussion and research on this phenomenon, which is a characteristic frequently attributed to women, who are socialized to defer to others (usually men). What's so weird about it is that it sounds like a tacit admission of the possibility of being incorrect—even about one's own name! Freakishly bizarre and undermining, this habit, at least I've long thought so.

And guess what? After listening to my chat with Martin, I appear to have won a blue ribbon at the Uptalk Lingual Faire. (Cue immature laughter over the phrase "lingual faire.") Winning? Um…

You can probably imagine my horrified surprise at learning that I have not only a mild propensity for but a raging linguistic habit of uptalk. I was shocked! Bewildered! Embarrassed! I mean, I don't need people to listen to me and think, "Ah, there's woman whose authority on subject X would stop even Ghengis Khan in his tracks." But, dae-um, I at least try to sound like I know what I'm talking about. Because I do. Really. You know, most of the time.

Thanks to this horrifying revelation, my sudden self-consciousness, as well as incurable curiosity (a.k.a. nerdiness), led me on a paranoid dash to the googles in order to learn more. What I discovered was actually not what I expected (and hugely reassuring). Wait, did that last sentence sound like clickbait? Oh well…moving on.

Turns out that, while there is a lot of talk (get it, talk?) about how upspeak is essentially self-negating, there is no actual evidence that this is the case. What's that song? Birds do it, bees do, even monkeys in the trees do it? So, yeah, it's just a thing a great number of people do. Enough so that it's become a cultural norm, not something that confirms or denies a person's innate expertise or confidence on a given matter.

This Bloomberg article describes succinctly where this unnecessary self-consciousness came from, specifically with this statement:

The lilt is still widely considered a signifier of girlish insecurity and ditziness. Anne Charity Hudley, a linguist at William & Mary, offers a possible reason for this. “When certain linguistic traits are tied to women … they often will be assigned a negative attribute without any actual evidence,” she says.

This article by activist Marybeth Seitz-Brown at Slate confirms this.

But the funny thing is, uptalk isn't actually just used by the young and female. When you’re on the lookout for it, you’ll hear uptalk from people of many demographics. Yet I’ve never heard anyone condemn New Zealanders’ speech for not being authoritative or confident enough, despite their rampant use of uptalk at all ages and genders. I also hear many men, including former President George W. Bush, using uptalk, and have yet to hear any of them be chastised for not sounding authoritative enough. In fact, there's no conclusive evidence that women even use uptalk more than men.

If you've stuck with me this far, I highly recommend reading the two articles above. You will never listen to a conversation the same way again! (I know, I know, overanalyze much?) To sum up, what I've always subconsciously assumed—that uptalk is an automatic self-negation of one's own point of view—is really nothing more than a widespread, learned cultural trait, a meme if you will, that has been misattributed as a "girlie" habit. Phew!

And there you have it. If you, like me, are unusually attuned to words in all their forms, from spoken to written to sung to signed, and tend to notice the way they're presented a little more acutely than the average person (because you're a writer and you simply can't help having a bit of savantism about language), you can rest and read easy knowing that uptalk is nothing to fear, nothing to hide from, nothing to be embarrassed of, and most importantly, not an indication that you nothing meaningful to say.

PS: For the curious, I have more, yes, much more to say about language in this post here.

Announcement: Martin's first novel, Inside the Outside, was an Amazon best-seller in horror and won the grand prize in the 2012 Paris Book Festival. His newest best-seller, The Vampire, the Hunter, and the Girl just came out. Lovers of paranormal and horror, these are both shoe-ins for date night with a novel. I heartily encourage you to check them out!

Enjoy what you've seen so far? Click the follow button or enter your email to subscribe to new posts. Bonus snark to joiners of the newsletter tribe, who get my novel news, including the first look at new stories and invitations to join contests and giveaways. Thank you!

Feeding the ThinkBeast

I hit a milestone last night and finished my fourth novel (happy happy, joy joy). This newest is significant for a number of reasons. First, it’s the first novel I’ve started and finished in less than about a year. I penned the first words last November, got about 25K in, then stopped for a month and wrote the outline.

That’s milestone number two: this is the first novel I actually plotted start to finish before getting too deep in to back out and rework significant parts. And, as incredible as it may sound, this actually worked! Once the outline was done, the book came together in three short months (with many deviations from the original projection, naturally, but still with minimal fits and starts, as was usual).

The third milestone is that this is my first (completed) fantasy novel—though I have my share of started-and-abandonded fantasy stories clogging my hard drive, but don’t we all.

And finally, this book was just feckin’ fun to write! This is the first novel I’ve done where I wasn’t having to bribe, threaten, and coerce myself to get to the keyboard some days and put down new words. It was a nonstop funfest from prologue to epilogue, and I am monumentally excited about it!

Lots to do before this opus is ready for the world, not least of which is to finish the outlines for the subsequent two novels (this is book one of a trilogy). I also have the sticky wicket of an issue of deciding on a title, a notoriously difficult thing for me, and writing the blurb, which is always a task I love doing. And of course, many, many edits, beta rounds, critiques, and proofreading to be done, along with commissioning cover art. But I’m still thrilled, not even close to overwhelmed, and bouncing-off-the-walls excited about spending more time with this cadre of quirky and crazy characters.

This writing thing—it's really neato.

Thought I’d share with you all the main ingredient that is part of every writing and editing session I commence. Music. The food that feeds the muse and the mind, aka the ThinkBeast. Several albums spun round on repeat on Grooveshark and my sweetie and my shared iTunes library during the creation of this novel. Like a drug that runs throught one’s veins, music tends to leave its mark on writing, I think, and subtly, and sometimes not subtly, contribute to the tone of the words you write. So here’s my list; perhaps you’ll find on it music to inspire your own writing or art-of-choice projects.

Stoa — everythingDiary of Dreams — everythingKilling Joke — mostly 2003, Absolute Dissent, and Extremities, Dirt and Repressed EmotionsTrevor Morris — Vikings soundtrackClint Mansell —Doom and Requiem for a Dream soundtracksJohn Murphy — Sunshine and 28 Days Later soundtracksTyler Bates —300 soundtrackTwo Steps From Hell — mostly Skyworld and SolarisWilliam Control — mostly Noir, Beautiful Losers, and Hate CultureJunkie XL — 300: Rise of an Empire soundtrack

There are lots of others, but these few were played nearly everyday. Though there’s quite a bit of moody, gothy, dark-wavey stuff in there, I swear the book has lots of moments of light and laughter! Pinkie swear.

Let's hear from you. What do you like to listen to when you're writing?

Happy listening, and especially happy writing, y'all!!!

Enjoy what you've seen so far? Click the follow button or enter your email to subscribe to new posts. Bonus snark to joiners of the newsletter tribe, who get my novel news, including the first look at new stories and invitations to join contests and giveaways. Thank you!

I Have a Story On the Moon, aka, Luna Station Quarterly

Greetings Blogolotticans!Just a quick announcement that I have a new-slash-old story out in print today with the intrepid Luna Station Quarterly magazine. The story, "Indulgence," was originally released in my four twisted tales of love and lust collection, On Hearts and Scorpions, back in 2012 (the first collection I ever indie published, as a matter of fact. How special! This is the third story in the collection that has also been published in other literary mags. Yay me!). Now, here it is in all its glory with LSQ, a speculative fiction magazine featuring stories by emerging women authors.And even more exciting, this is their first ever printed volume, so they're offering a a ten percent discount. Get more info here, and don't miss out on these fun new stories by some more badass authors. You can also buy direct from Amazon.If you pick up the magazine and enjoy "Indulgence," don't hesitate to let me know. I'll even send you a free review copy of On Hearts on Scorpions. How's that for helping you stock up on reading material?Cheers and happy reading!

Writer Seeking Writer: A Saccharine Valentine's Day Post

One of the struggles many of my writer friends and I have is an innate and deep-seated misanthropy. I’m sorry, did I say misanthropy? I meant deep-seated introversion that is often wrongly interpreted (okay, and I’ll admit, sometimes rightly interpreted) as misanthropy. When we word-lovers find that special someone who Gets It (with the caps), we sometimes latch onto them with a febrile fervency that could easily be considered obsessive. But that’s okay. We are writers, we’re born to obsess. Sometimes over something as mundane as the right shade of orange when describing a sunset. This is the type of consideration that can consume us for hours. And our SOs, if we’ve found someone who can tolerate us, are cool with it.

Back before 2012 when I found my eternal syntax-mate, if I’d written a list of the things I would have sought in him, it would have looked something like this. I know you all relate ;)

Traits of a Writer’s Perfect Partner

Someone who'll believe in me, even when I have doubts in myself.Someone who shares a knee-jerk loathing for overdone and unnecessary passive voice.Someone who will not judge me if I switch genres.Someone who will not assume my silence is passive aggressive, but will instead understand that I’m merely plotting.Someone who’ll read all reviews on my works first, weed out the bad, and promise to only let me see the good ones. (While simultaneously synthesizing the helpful critical elements of the bad reviews and politely introducing them to me as his own when the timing is right.)Someone who understands how important it is to have a theme in a written work and will not fault me for agonizing about it, especially upon discovery that theme is the new category by which I’ve reorganized our bookshelf instead of simple surface options like genre or author.Someone with whom I can discuss my characters as if they are real people and who will empathize with their trials and tribulations as if they were his own when I talk endlessly about them.Someone who will understand if I’m late to a dinner or other social function if my excuse is “I was in the zone,” and who will likewise both be cool with and expect me to have a good time without him during a social function if he couldn’t make it because he was in his own zone.Someone who promises to beta read my work while they’re still alert, and will switch to someone less important’s (snicker-snicker) when he’s tired.Someone who doesn’t call me crazy if I say something like this while we’re enjoying a peaceful afternoon in the park: “Those children look like they’re having a great time. It just put me in mind of this great scene where a school bus explodes and the protagonist has to choose between saving the injured children or getting to the airport in time to chase down an arms smuggler who might be planning to bomb something bigger next. And the protag’s own kid was on the bus. Honey, we need to go home now, I have to write!”Someone who agrees that character is story!And finally, someone who would much rather curl up to a book and each other at night than go out with friends. Because, after all, writers, and possibly by virtue of association writers’ partners, really are just misanthropes with fabulous vocabularies.Do you have your own list of perfect traits you seek in someone to complement the people-shunning word-obsessive you sometimes are? Feel free to share!

Live Chat Tonight: Science Fiction and Fantasy Marketing podcast

UPDATE: It was a great show! Thanks for tuning in. Here's the link if you happen onto this post later.

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Greets Bloggalotics. Tonight I'm joining the cadre of wildly successful indie authors Joseph R. Lallo, Lindsay Buroker, and Jeffrey Poole on their Science Fiction and Fantasy Marketing podcast to discuss the sacred power and responsibility that is editing. Live at 6 p.m. PST. Stop by with your questions and to share your thoughts if you can.

What In The Noun Are We?

Greets Blogtasticians and Happy New Year!

Something profound (for a post-New Year’s Eve Marvel movie binge) occurred to me this morning. Did you know there is no collective noun for us writers (as far as I could discern in my extensive and exhaustive five-minute Google search)? Ironic, no? For a group who loves words as much as we do, to have none that is our very own, well…We should change that. Here a few proposals.An Irony of WritersA Pestilence of…A Fantasia of…An Alexandria of…A Delusion of…An Imaginarium of…A Whimsy of…Or how about, A Whedon of…What do you think? Have some ideas to share? Leave a comment below. Because everyone needs a distraction now and again.

The Best I Read In 2014

Bloggdorites! I have been so super busy as the year ends with working and doing this simple little, totally mundane, non-time-consuming thing known as "writing a book or two"—you probably know what I mean—that I haven't had time to do any blogging. I'd love to share all the incredible books I've read this year with you all, but instead, let me just borrow this list from the great speculative fiction author Scott Whitmore. And by the way, his 2014 novella Green Zulu Five One is DEFINITELY one of the best I read this year. Check out my review, and enjoy this list of greats!

The New Meta Edda

Confession time. I didn’t read a lot of science fiction growing up. I was a horror geek through and through. Barker, Koontz, King, Rice, McCammon, other books I remember by authors I don’t; I swilled them all down like a gore addict on day three of a two-week bender, voraciously and unstoppably. After I’d read everything by King twice, I branched out into other genres, mainstream and classic literature like Watership Down and everything by Orwell, as well as fantasy, like Tolkien, The Mists of AvalonA Wizard of Earthsea, everything by Tom Robbins, and numerous others. (My one regret, actually, is that I’ve never read The Dragonriders of Pern. Anyone have a copy they could lend me?) I even went on a Louis L’Amour kick for about a year.

But science fiction itself remained an unturned stone. My favorite movies were all sci-fi based, TerminatorAliens (ET and The Black Hole before that), but even most of those later childhood favorites had a horror subtheme. So what in the world made me write a space-opera action story for my first full-length published novel, then a full trilogy?

Let me digress for a second before answering that. I’m going to share something about authors that many of us would probably hesitate before admitting publicly, for fear of being locked into the loony bin. We are all possessed. Or maybe you’d call it schizophrenia. The fact is, we are 100 percent inhabited by legions of other people. And they control us to greater and lesser degrees. For me, that possession came in the form of my trilogy’s main character, a Corps-deserter and tougher-than-titanium anti-hero Aly Erikson. To make a long story short, I was out on a run through the Oregon rain one day, and she popped into my head nearly fully formed on a very intense flight from danger of her own aboard a space station in the Algol triple-star system. It was December 2005, and this character was born. Her story was as real in my head as my own life story, and I had to tell it. Hence, science fiction.

In my mind, she is one part Carolyn Fry from Pitch Black, one part Dizzy from the 1997 film adaptation of Starship Troopers, and the rest of her comprises numerous positive and, yes, negative characteristics derived from the heroes from all my favorite books and movies. And after writing her story through three books and one novella (accidentally—I never intended her to span so many words), I think I may be done with her for a while. She had a good ride; she grew, experienced much, and lived through a lot more than she had any right to, and I don’t think she has much story left to tell in her current iteration.

So what’s next? Based on the subjects of my youth, I should be ready to wander the halls of horror, one would think. Strangely, though, that isn’t where my mind is veering these days. In fact, sometime during the writing of Contract of Defiance, I became enthralled by a story from Outside Magazine of a coyote hunting and killing a woman hiking through a park in Nova Scotia, behavior that for this particular animal is completely unheard of. And because, like most writers, bizarre tragedies tend to make my mind spin on surprising new ideas, this unlikely news story spun my brain toward the concoction of a new tale that spanned everything from the cultures of Vikings and Inuits, to ancient history and present times, to Greenland and Wisconsin, to B.A.S.E jumping and academia, to domestic violence and the loyalty of best friends. I spent months researching different facets of the story overtaking my thoughts and wrote several thousand words. Then…it died. The story simply languished as a new book in the Spectras Arise trilogy started to take shape, and I put it aside. When I dusted it off with all intent of resurrecting it, the whole concept had lost its luster. It was not a story I wanted to tell anymore.

But all was not lost (and can never be—if ideas were money, every writer would be captaining her or his own privately financed starship to the moon for a holiday) and the initial characters and bones of that old story squished like Play-Doh into something new. Something that still involves Vikings, but is now dense fantasy with a heavy dose of science fiction. Science fantasy fusion, anyone? Though I’m still in the early stages of writing and development, this new story is an ever-present mouth-breather that I can’t ignore for a second, and I can’t wait to write it!

In a well-timed happenstance, science fiction writer Dylan Hearn invited me to do this fun thing called the 7-7-7 challenge, where you go to the seventh page of your work-in-progress, go down to line seven, then publish the next seven lines. This new novel of mine is as yet untitled and so far from finished that these lines will hardly be the same when it is, but here goes:

If one were to hold a kaleidoscope to their eye and peer through it past reality’s veil to the place where the carnival-colored bits and baubles suspended within become part of the Great Cosmos, they might discover one very unique new reality. The one called Heartovingia. It is a circular belt comprised of a seemingly desolate amalgam of rocks, metals, and ice spinning eternally around the watery, storm-tossed planet called Vann. The light from this asteroid field’s star would be diffuse, bouncing weakly from the multi-elemental belt of particles and giving it a reddish cast, like that of a heart. A heart whose center is chaos and cold sea.

Looking deeper into the kaleidoscope, one would notice that these long-turning stones are not as desolate as one might have thought. In fact, many of these spaceborne satellites appear to be quite large and are encircled by glasslike domes.

As you can see so far, it has a great deal more epic-ocity than my first-person-told trilogy. We’ll see how it goes. You’re welcome and invited to stay tuned and enjoy the lunatic rantings of its progress as my brainmeats suffer through new-series growing pains. And now it’s your turn, all my writer friends. Take the 7-7-7 challenge for yourself and link back here so we can read what you’re up to. Because after all, crazy loves company!

Also, for sci-fi and intrigue fans, be sure to check out Dylan’s new release coming out November 28. Absent Souls (The Transcendence Trilogy: Book 2).

Veterans Day Blowout!

Greets Bloggorites! Forgive the schmaltzy blog post title; I couldn't help myself, but how many businesses are advertising a Veterans Day sale this week? I have to say, though, this announcement-slash-sale is way more thrilling and blow-y out-y than all those others. What better way to celebrate the holiday than to read something by those for whom the holiday was created?

Announcing:

Three New Releases from Three (old) Vets!

(Plus another awesome author!)

That's right. I (former army paratrooper) have a new one out in military science fiction, CONVICTION: A Spectras Arise Novella, as does the fantastic science fiction/steampunk author Scott Whitmore (former naval officer), GREEN ZULU FIVE ONE: and other stories from the Vyptellian War. I have read this novella and promise you, it's amazing.CONVICTIONTRUSTING OTHERS IS YOUR FIRST MISTAKE.If Corps Tech Sergeant Aly Erikson wants to survive another day, she will have to give up everything: her identity, her rank, her attachment to her brothers-in-arms, and most of all, her guilt.After doing her duty as a member of a ground infantry squad tasked with “neutralizing” an insurrection by non-citizens on a mining planet, Erikson realizes that everything she thought the Corps stood for, thought she stood for, is crumbling away. Where is the honor, the justice, the spirit of law? When the enemies are nothing more than outclassed and outgunned dregs of the Algol System’s forgotten people, being part of their execution squad has put her as far from the ideals of justice as Erikson can imagine. Haunted by their ghosts, she struggles to maintain her military bearing until even that is suddenly ripped away in an act of terrorism that sends her, her brother, Tech Sergeant David Erikson, and another Corpsmember, Rebecca Soltznin, on the run on a hostile planet. Forced for the first time in ten years to blend in with a civilian population, the three are faced with a single choice: regroup with their brothers-in-arms or become deserters. For Aly, it’s easy; why go back to being a cog in the death machine the Corps is becoming? But for the other two, the price for making the wrong decision may be higher than they’re willing to pay.On the run, under attack from the scavengers who plague the system, and out of options, the three face conflict from every direction. If they can’t find a way to fight together, their chances for survival are less than zero. And for one of them, the best solution may come down to one simple act: betrayal. In this prequel to the popular Spectras Arise Trilogy, readers get an intimate look into the events that led Aly and David Erikson on their path from decorated and dedicated soldiers to black-market arms smugglers, and ultimately, to rebels against the Political and Capital Administration of the Advanced Worlds.

Get it at AMAZON, B&N, APPLE, or KOBO, or join my newsletter tribe for a free review copy.

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GREEN ZULU FIVE ONE

A war of millions is fought by individuals. For sixteen years humanity and the alien Vyptellians have battled in space and on hundreds of planets in a distant corner of the galaxy.

Tyko is a teenage space fighter pilot who has never known peace; insulated from the horrors of the battlefield, he’ll learn war isn’t a game. Sergeant Siengha is one of a handful to survive the war’s first battle; surrounded and vastly outnumbered by a merciless enemy, it takes everything she knows to keep those around her alive and fighting.

These are just two of the countless stories from the human side of the Vyptellian War. To those on the frontlines and their families at home, why the war began is unimportant, forgotten when the first shot was fired. What matters is the survival of the species.But after years of bloody conflict, the war’s end is closer than anyone realizes.

Get it at AMAZON and visit Scott at his blog for more of his marvelous missives.

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And in science fiction/fantasy, check out these two new releases from David Bruns (another former naval officer):The science fantasy series, The Dream Guild Chronicles, tells a different kind of first contact story—one from the alien’s point of view.IRRADIANCE, Book One, imagines the kind of dystopian world you might get if you paired Big Brother from 1984 with A Wrinkle in Time. Maribel, a scientist, uncovers an ecological disaster that makes her reexamine everything she thought she knew about her Community. In desperation, Maribel flees her home world with her family and a few friendsIn SIGHT, Book Two, the storyline focuses on Sariah, Maribel’s daughter. Her parents are frantic to find her a new home safe from the long arm of the Community. But new worlds are fraught with new dangers, and SIGHT will keep you on the edge of your seat as you follow Sariah trying to navigate the superstitions of hunter-gatherer tribal culture.Imagine Lost in Space crash landing into an ancient Incan civilization and you have SACRIFICE, Book Three of The Dream Guild Chronicles.If crash landing isn’t bad enough, a crew member is taken captive by the natives. A rescue attempt, a firefight and one crewman is left for dead.But he’s very much alive.Alone, light-years from everyone who cares about him, Gideon navigates royal politics, tribal rituals, and ancient prophecies as he struggles to take back the artifact that will let him reconnect with his family.

Get it at AMAZON and visit David at his blog for more on his wordly adventures.

BONUS STORYErik Wecks, author of the sweeping Pax Imperium series, has also released a new serial story in the last couple of weeks that you all will enjoy, and it's free! Gravlander, Episode 1.

The Role of Print In Independent Publishing

One of the things I really enjoy about being an indie author and editor who works with a lot of other indie authors is being able to share my experiences and knowledge about the biz with others. Case in point is something that occurred the other day. An old kayaking buddy of mine has written the first in a series of science fiction novels and wasn’t fully sold on which direction he wanted to take them: indie or traditional. We got on Skype and chatted about the gamut of things one needs to know and consider when making this decision, and he asked a question that tickled me pink on several levels. To paraphrase, he wanted to know if an author had more credibility to potential readers if they publish via print format, either in lieu of or along with an ebook.The question caught me completely off guard. Can you guess why?That’s right. Most of us have been book nerds for long enough now that we remember the days before ebooks when independent authors were (considered) the guileless, or worse, narcissistic, writer wannabes who used vanity press and print-on-demand services to publish their books. They were frowned upon and condescended because it was assumed that anyone who couldn’t get an agent or sell their books directly to a publishing house was simply not a good writer. And when they sidestepped the traditional route and printed their books on their own, they were considered delusional and even insufferable ego trippers.We’ve come so far, you know? The thousands upon thousands of talents who are now self-publishing are often no different than those early vanity/POD indies (in that many of us are actually quite good writers, just not easy fits into traditional publishing's mold). A few things have changed, true, such as the advent of ebooks, but the spirit of creativity and talent and skill that make a good writer has been among us all along, and now there is nothing to hold it back. The big picture has flipped, and having your books in print is no longer the route of the delusional but just another of the smart business practices of independent authorpeneurs.Most of the indies I know have achieved their success through publishing ebooks, but that doesn’t mean print books haven’t also contributed. So, back to my friend’s question: Do indie authors with print books also available seem more credible to your average reader? My gut says no, but I don’t know of any studies or anecdotal evidence to support this idea. When ebooks exploded, print quickly became a distant consideration that had little to do with most indies' rise to the top. The idea many of us had was to test the waters to see if there was a market for our books through the ebook channel, and if so, printing them became the next consideration. When I did my research, the overwhelming buzz from other indies I talked with who had achieved any success was that print books were still mostly just a fun thing to have but weren't their main income channel by a long shot. You could extrapolate that to mean that readers aren't even the tiniest bit concerned with/or interested in print books (enough to make them profitable), but again, I just don't know.So I want to throw it out to you all. What do you think? Now that indie publishing is a meaningful and permanent part of the overall publishing paradigm, and readers flock to us with nearly the same enthusiasm that was once only reserved for traditionally published novelists, do our major markets (readers) care about print books? Does it makes us seem more professional or credible if we have them? Leave a comment and let us know what you think.

Book Review: Million Dollar Outlines

Million Dollar Outlines

Million Dollar Outlines by David FarlandMy rating: 5 of 5 starsWhether you're a casual writer looking for ways to improve your craft, or a more serious writer wanting to strengthen skills you already have, this book is a must.I've been wanting to take a novel writing class from David Farland for years, and wanting to learn to be a more disciplined outliner for even longer than that, so finally reading his Million Dollar Outlines was a perfect synthesis. Not only did the book fit the bill for thinking through and outlining a story, it went far beyond that. David also includes an in-depth and well-explained look into all of the nuts and bolts of a good novel: from characterization, to million dollar plots, to creating winning conflict, to building emotional resonance into your story. All intensely important components of any tale that is meant to have expansive appeal to readers, and laid out in easily groked and understood chunks. Plus, it contains an added highlight: excerpts from a conversation recorded in the late 70s/early 80s between Steven Spielberg, George Lucas, and screenwriter Lawrence Kasdan as they hashed out the plot for Raiders of the Lost Ark. Pure gold!I am a heavy highlighter in almost every nonfiction book I read, and here are a few of the myriad great tidbits from Million Dollar Outlines. I'm sure I'll read it at least three more times, it's so full of great advice."Budrys points out: if the hero does not have to make three attempts to resolve a problem, then the problem was not difficult enough in the first place.""Every story should start with promises made—promises that you must keep."(On creating conflicts) "If a person is at the root of his own problem, it hints at secondary problems—internal conflicts.""Look at truly great stories and you will see this pattern emerge: The author often pulls off a complex resolution rather than working toward a simple resolution."View all my reviews

Speculative Fiction and the Curse of Internal Consistency

WARNING: Prepare for a long, rambly post on writing that doesn’t really have a point but to wring out recent writing experiences from my saturated brainmeats.

Building worlds is a job that once fell firmly in the laps of beings like Brahma, Mbombo, Ranginui and Papatuanuku, or even planetary deities, like that scene in Firefly where Saffron explains to Wash the myth of Earth that Was, i.e., the gods and goddesses of the myriad different creator myths of the world. In truth, myths are nothing but best-selling stories with a very long shelf life, right? (So, by extension, since writers are world builders, does that make us gods? Just curious…)

Thanks to their highly active imaginations and the luck of being born or indoctrinated into priest class cultural roles, the original storytellers who dreamt up these fantastical and entertaining origination myths were pretty much free to think big and go long. Granted, the lighting was poorer in those days, which made penning intricate tales late into the night a sure recipe for myopia, and a general lack of hygiene predating written books would have made the oral tradition of storytelling a bit less enjoyable to listeners, but storytellers, being a tenacious and overly wordy bunch, would rarely let much short of death stop them. One thing that is universally true of word nerds is that we all suffer from the same incurable verbarianism.

Yet I can’t help but reflect on the experiences of these storytellers and wonder if they confronted the same issue that I am currently butting my head against. That of building, or creating the myth of, a new world and keeping the facts straight in the process. Nothing sucks more during the writing phase as plunging facefirst into the pestilent seas of incongruences and misremembered facts, where details begin to slither around each other and create a soul-sucking quagmire of internal inconsistencies. We all know that feeling of writing happily along and then BAM! Stopped dead in our tracks when we discover “If this is this way, then that can’t be that way, because, well, physics for one, and…" Rewriting before one is even halfway through takes a lot of the fun out of noveling. It's like turning back after mile 13 of a marathon because you aren't happy with your split times. I think the lesson from most great novelists would be: Don't do that.

Early myth makers had a luxury that those of us who publish books in modern times, which can't be recollected from our readers (and wiped from their memories), didn’t, and that was the ability to change the facts of their stories on the fly when someone pointed out a contradiction. Or, as happens so often in long-lived mythologies, the facts are left to remain contradictory, but the story is shored up by minions of supporters fabricating inarguable arguments like “We must have faith. God works in mysterious ways,” which are supposed to somehow imply that there is no inconsistency, it is simply that our limited human mental and spiritual capacities can’t possibly grok the real truth.

But again, that is a luxury the modern storyteller doesn’t have, and won’t have until we too reach the level of transcendentalism that codifies us as deities in our own right. Walter F. Miller’s 1960 novel A Canticle for Leibowitz explores this theme in a sublime way. Not so much the deification of your average human, but the way in which something relatively inconsequential can become a holy relic through the passage of time because of nothing more than the simple and limited ability of humanity to sustain specific comprehension over epochs. If you haven't read it, the time is now. But I digress.

Early myth makers and their creation stories in a way are a parable for the modern storyteller and our job of creating self-sustaining and internally consistent worlds. Where they’ve had centuries to “get it right,” or at least for fans of their stories to redefine and rewrite problematic points, we, as write-publish-repeat storytellers, only get one shot. It’s a big job to create a workable and believable world, and we don’t even get the satisfaction of knowing someone somewhere may erect a giant statue or church in honor of our books and characters. We are so unloved.

Still, we persevere, because getting it right is more important than getting it done. Right? Right? Which makes it seem as if weare overly analytical, anal retentive organization junkies, and also not really committed to finishing our WIP. But that’s a balance each of us must strike on our own, the balance of knowing when it’s time to stop outlining and noodling to ourselves over various aspects of the work, and when it’s time to start doing the actual writing.

I know I used to shy away from writing even a single scene for fear that it would end up having no place in the final plot. But that’s a baseless fear. Any writing, good or bad, is meaningful writing because you are training your brain for whatever specific story you’re working on, allowing a cerebral exploration just as effective and important as the pre-writing preparation you’ve already spent however many days, weeks, or possibly years, doing. The real danger is not in having to rewrite, but in not having ever reached that point where you start writing. If all one ever does is ponder their stories, it’s just mental masturbation with very little satisfaction.

Maybe I’ll take all those scenes from all those books I’ve written and have had to cut, smush them together into something like an apocrypha, entomb them in a time capsule with a bunch of pretty baubles and important-looking documents, and leave them for the future. Who knows, someday even they could become the genesis of some new myth-based spiritual woo-woo sect, though I really feel for anyone who might get caught up in it. That would be some disturbingly crazy shit. I guess the lesson here, and the thing I’ve been talking myself into, is don’t let yourself get caught too much up in the endless intricacies of worldbuilding before you start writing (unless your name starts with a J and ends with Tolkien). Both are essential to a cohesive and finished novel, but giving yourself the indulgence of doing both simultaneously will get you from masturbation to publication faster than not. What do you all think?

Incidentally, some of my favorite novels that explore myths of creation and deities include Terry Pratchett’s Small Gods, Marion Zimmer Bradley’s The Mists of Avalon, Neil Gaiman’s Anansi Boys, and K. Scott Lewis’s When Dragons Die series.

40 Ways Writers Procrastinate

You know that chapter you should be working on? The one that has some elemental flaw that you just can’t put your finger on, but which you also cannot progress on until you’ve sussed out that niggling annoyance? Yeah, that. What do you do when you know you need to fix something but can’t quite figure it out and therefore decide to passive-aggressively cope with the giant fail moment by procrastinating yourself into a coma? I have ways, oh yes, many ways to procrastinate. Here they are (NOT an exhaustive list). What are yours?

  1. Write a blog post about procrastination.

  2. Play with Photoshop until my eyes bleed.

  3. Research. Anything. Such as find out how quickly things accelerate into the sun the closer they get; it doesn’t matter.

  4. YouTube. For hours. And hours. Did you know Cosmos is on there now? Along with the BBC series on the History of Britain written and narrated by Simon Shama. For realz.

  5. Watch pro cycling races.

  6. Even out how much shoelaces dangle for all of my running shoes.

  7. Read blogs about finding inspiration and dealing with procrastination.

  8. Proofread lingering unfinished projects AGAIN.

  9. Grocery list. Gotta eat, right?

  10. Alphabetize items on the grocery list.

  11. Proofread the grocery list.

  12. Time to rearrange the furniture.

  13. What exactly is the etymology of the word pink? I must know, immediately.

  14. Check book sales.

  15. Check author rank.

  16. Recheck book sales.

  17. Puzzle out how to get that unidentified stain out of my trousers.

  18. Stand in front of the mirror and contemplate bangs.

  19. Best double check when the next oil change is due.

  20. While I'm at it, the truck's windows and mirrors could use a wash.

  21. My collection of business suits, i.e., running shorts and yoga pants, are in need of laundering.

  22. Check for any new newsletter subscribers.

  23. Read up on best newsletter practices.

  24. Sketch out some newsletter ideas (which will likely never get finished, much less sent).

  25. Accept (momentary) defeat and listen to an Overtime with Bill Maher podcast.

  26. Those dishes won't wash themselves.

  27. Think of something better to do than washing dishes.

  28. Bike tune up day!

  29. Not that I need new rims, but it doesn't hurt to look.

  30. There must be a better way to arrange the menu on my blog.

  31. Canva.com. So evil.

  32. SOCIAL MEDIA.

  33. Closet organization, including sorting shirts, pants, and skirts by color.

  34. May as well take all these old clothes to the Salvation Army box.

  35. Hmmm, now I have room for new clothes! To the Patagucci website I go.

  36. Oh look. Bills to pay. Now where is that pen?

  37. Yikes, time to rearrange and declutter my desk drawers.

  38. Now that this is all out of the drawer, time for filing.

  39. SQUIRREL!

  40. Okay, I’m exhausted. May as well catch up on reading for five minutes before lights out. I'll write tomorrow, I swear.

Book Review: Rogue Genesis by Ceri London

Rogue Genesis

Rogue Genesis by Ceri LondonMy rating: 4 of 5 stars

Rogue Genesis, the first novel in Ceri London's Shimmer in the Dark series, is an intricate and visionary science fiction novel that resembles a mash-up of notables like David Weber's Honor Harrington series and Peter Hamilton's The Dreaming Void. With a grand scope and intimate storytelling style, Rogue follows one man, a highly decorated and successful US special forces soldier, as he tries to save not only his family from a malevolent secret society of psychics, but also an entire alien civilization from the devastating cosmic forces that are set to destroy their home world.

Weaving political intrigue, scientific exploration, and elements of fantasy into a suspenseful narrative, London's story is highly ambitious in its vision, and she pulls it off with the kind of necessary plausibility that will appeal to many hard SF fans along with a look inside the intimacies of human nature and relationships that will appeal to those who prefer more character-driven novels.

Though the novel's initial pace is leisurely, London enhances long moments of slow narrative with superbly executed and exciting action that will definitely get your heart racing and your fingers turning the page. Rogue is a novel that is best consumed in large chunks, as its meandering and subtle reveals require a high level of concentration to fully grasp. It is the perfect novel for a weekend spent relaxing beachside or for filling time during a long overseas flight.

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