speculative fiction

Get Your Read On!

Yo Bloggolicious! Just wanted to let you know about a couple of opportunities to get your hard-core SF/F read on for zero to almost zero pennies over the next couple of days. First off, author Patty Jansen is hosting a list of over NINETY SF/F novels, of which Conviction is one, by a huge range of terrific writers. Do yourself a favor and take a look. I’m betting you’ll find so much to love you’ll be stuck in your reading nook for decades! (That’s a good thing, btw. Just make sure you bring snacks.)

And secondly, my friend and recent collaborator onForged From the Stars, G. J. Jennsen released her latest book today, Dissonance, Book 5 of the tremendously popular Aurora Rhapsody series. It’s a special day for G. S., who is one of the nicest authors I know—her birthday! Help her make it a fabulous one and buy yourself the series as a birthday present to yourself. Weird how that works, huh? I call it a win-win.

Happy reading, Bloggolites! Feel free to share the news or this post with your word-lovin' friends.

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Crowdfunding Pro-tips by speculative fiction author C. J. Pitchford

Thanks very much to Chris Pitchford for guesting on my blog today. Chris and I go back a few years, originally meeting in 2012 at the Rocky Mountain Fiction Writers Conference in Denver. It was a wonderful conference, of course made even better by making new writing buddies! Chris has some great info to share on crowdfunding novels as an indie author. Read on.

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Thanks to the wonderful hostess with the mostest, Tammy Salyer, for graciously allowing me to unceremoniously scribble all over her blog. And thanks also to you, dear reader! For what? Read on and find out!

But first I’m going to tell you how this is going to work.You see, a year ago I self-published the first book in my historical fantasy series, The Agility of Clouds. And I was desperate. I had no experience—and worse—no idea how I going to market my darling story of the time-slipping Marchioness of Cambridgeshire.So I tried something new (to me): crowdsourcing the marketing at this site called ‘Kickstarter.’ I signed up, created a project along with a video and—not to put too fine a point on it—went crazy launching my book. The result is still available here.Kickstarter is home to all sorts of projects. And, like the name implies, starts the ball rolling in terms of funding and marketing of said projects, games, books, movies, even 3D printing pens (whatever those are). Funding is used for manufacturing, printing, distribution and postage among other things—but not, apparently, living expenses (as seen here).By now you have probably gotten so over the whole Kickstarter thing (captured in the spirit of the times in this ancient Gawker blog post).But let’s move past the parentheticals and talk about me. Specifically, I had already written a novel. It was done. The illustrator illustrated and the editor edited, and they—along with Bowker and the Library of Congress—had all been paid. I formatted the work, wrapped it up in a pretty cover and even got a wonderful blurb from a lovely and talented author. Because it was all done, I didn’t need a starter, but I wanted—desperately, remember—to crowdsource the marketing. I needed to get new ideas, and sought the wisdom of the crowd to learn where I should focus my limited advertising budget.And by that criteria, I failed utterly.Oh, sure. The modest Kickstarter—or, kicklauncher, as I called it—was successfully funded. But no one knows how to independently market new books online. I’m sure you know, regardless of which market, that the fundamentals still and probably always will apply. ‘Word of mouth’ advertising is king and queen; you must keep on your toes by networking; and, my favorite of all fundamentals is pure marketingsauce, ‘fake it ’til you make it.’ But in my Kickstarter, there was no magic or special sauce, and the pursuit of online Virality™ is both ongoing and a neologism.Before I write another word about crowdfunding I must warn you—money is involved. I know. The jaded intelligentsia can just skip this paragraph, of course. For the rest of us? Please don’t do anything online you don’t feel comfortable doing. Also, educate yourself! There are some terrible ideas out there—if someone is promising something that breaks the laws of physics, it’s probably a scam. I mean, I can break the laws of physics all the time—in my stories when I’m writing, that is. But here are some of the worst ideas. (For an overview of criticism about the Kickstarter concept, check out this.)Do you see where I’m going with this? Because I’m a writer, and therefore by definition, a glutton for punishment, I’m doing it all again. I’m crowdfunding my newest book, an adult sci-fi novel where an asteroid miner survives galactic civil war using the life lessons of politically incorrect comic characters, Gung Ho and Little Pluck.But this one’s different. And by different I don’t mean just a different genre and style. I’m trying a site called Inkshares, which does more than just funnel money (although I suppose it does that, too). The website only supports projects that result in books, and actually publishes projects that are successfully funded. I created a project and entered it into The Nerdist Collection Competition, where the top five projects—ranked by number of pre-orders—will be published whether they are funded successfully or not.Here’s the link and I want to thank you for reading, and for checking out my latest attempt at marketing! See? This is how crowdsourcing works—I think. Let me know in the comments below!About the author: C. J. Pitchford (go ahead and call him ‘Chris’—just don’t call him during dinner, it’s a blood sugar thing) lives in Denver, Colorado and once tried to save the world using an almost magical ability to program computers, phones and tablets. He is also the author of the paranormal historical fantasy series, THE HELLEBORINE CHRONICLES, available on Amazon and iTunes.

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Some Days, the Bear Eats You

You just finished that latest novel that’s been burning a hole in your brain for the last six months. You toss off the final “the end,” leave it in the virtual drawer for a couple of weeks (or hours), and then go back, look it over, analyze your flaws and errors, plot, characters, word choices, conflicts, all of it. And finally, after draft two (or ten), you think it’s time to send it out to some first readers. And you wait.And then…no one likes it.That’s right. You sit yourself down, look at all your readers’ notes and feedback and desperate attempts not to crush your spirit, and you finally have to face reality. Your book sucks, it’s boring, it doesn’t make sense, and for godiva’s sake, why are there yetis in space?—or put another way, some days you eat the bear, and some days the bear eats you.So then what? Do you cry, moan, doubt yourself, realize that your dream of being a novelist is akin to dreaming of growing up to be Darth Vader, but with a less vaginal-looking helmet? Do you forsake your inner voice and promise to never again write a word in fun? From here on out, technical manuals only, period, the end.Or do you smile and swallow that delicious, perfectly baked humble pie made especially for you, and think about just how fantastically grateful you are? Grateful, you say, but why? Because, think about it—writing is fun! Because now you know without a shadow of a doubt not only that your book is indeed imperfect, but also why. And guess what? You now have everything you need to jump back into that marvelous mess you’ve created and do more of what you love. You were given permission, nay, encouragement to go back to the playground and play yourself silly. You, my friend, get to keep writing, and that’s exactly what you wanted all along. Hooray, Writer!And that bear that’s been nibbling on you? That guy is just your inner voice, reminding you that no one gets it right all the time, and showing a little backbone and tenacity is what makes you better than you were. Instead of being eaten by the bear, you are the bear.Now go out and roar.

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Uptalking Writing with Horror Author Martin Lastrapes

Greets Bloggolicious!

Here's some really cool news. In December, the wonderfully warm, friendly, and talented best-selling indie author Martin Lastrapes invited me to be a guest on his show, The Martin Lastrapes Show. And what a show it was! So fun! I was tickled to visit Martin in his studio and gab for a couple of hours about that thing we all love: writing. I encourage you all to come listen and leave some comments about your thoughts. Admittedly, Martin and I were all over the place with topics, ranging from how we got started in the world of writing, to how authors develop a voice, to what's so intrinsically amazing about Tom Robbins, to marketing, editing, and essentials of cover art for indie authors. This is a show that promises to leave very few stones unturned. And for those we missed, Martin and I have plans to do some more stone flipping in the future. Visit the show and, again, feel free to leave comments and share your thoughts, expertise, and experiences. We'd both love to hear from you!

Listen and subscribe at Martin's show link, Stitcher, iTunes, or right here on Lybsyn.

Now it's time to get serious. It's okay—it shouldn't hurt…much.

Have you ever had that disconcerting moment when you're exposed to a recording or an image of yourself unexpectedly and thought, "Who in hell is this alien-like doppelgänger acting as if she's me? Do I really sound/look like that?"

Fun fact: I'm a feminist, which is to say I spend a lot of time thinking about how women and men harmonize—or don't—in our shared paradigm. (That's the paradigm of being respiring mammals roaming the earth simultaneously and trying to refrain from destroying each other or it, while still enjoying equal access to the great stuff we find here, like coconuts and scotch).

What do these two things have to do first with each other and secondly with Martin's show? This: Are you familiar with the term "uptalk" also known as "upspeak"? In brief, it's that strange vocal lilt some people end spoken sentences with, where their voice rises as if asking a question, even with completely non-questiony statements like "Hi. My name is Tammy." But in upspeak, it sounds like, "Hi. My name is Tammy?" Speaking this way tends to make a person sound uncertain of what they've said, or apologetic, or expectant of being and willing to be contradicted. There's been a good deal of discussion and research on this phenomenon, which is a characteristic frequently attributed to women, who are socialized to defer to others (usually men). What's so weird about it is that it sounds like a tacit admission of the possibility of being incorrect—even about one's own name! Freakishly bizarre and undermining, this habit, at least I've long thought so.

And guess what? After listening to my chat with Martin, I appear to have won a blue ribbon at the Uptalk Lingual Faire. (Cue immature laughter over the phrase "lingual faire.") Winning? Um…

You can probably imagine my horrified surprise at learning that I have not only a mild propensity for but a raging linguistic habit of uptalk. I was shocked! Bewildered! Embarrassed! I mean, I don't need people to listen to me and think, "Ah, there's woman whose authority on subject X would stop even Ghengis Khan in his tracks." But, dae-um, I at least try to sound like I know what I'm talking about. Because I do. Really. You know, most of the time.

Thanks to this horrifying revelation, my sudden self-consciousness, as well as incurable curiosity (a.k.a. nerdiness), led me on a paranoid dash to the googles in order to learn more. What I discovered was actually not what I expected (and hugely reassuring). Wait, did that last sentence sound like clickbait? Oh well…moving on.

Turns out that, while there is a lot of talk (get it, talk?) about how upspeak is essentially self-negating, there is no actual evidence that this is the case. What's that song? Birds do it, bees do, even monkeys in the trees do it? So, yeah, it's just a thing a great number of people do. Enough so that it's become a cultural norm, not something that confirms or denies a person's innate expertise or confidence on a given matter.

This Bloomberg article describes succinctly where this unnecessary self-consciousness came from, specifically with this statement:

The lilt is still widely considered a signifier of girlish insecurity and ditziness. Anne Charity Hudley, a linguist at William & Mary, offers a possible reason for this. “When certain linguistic traits are tied to women … they often will be assigned a negative attribute without any actual evidence,” she says.

This article by activist Marybeth Seitz-Brown at Slate confirms this.

But the funny thing is, uptalk isn't actually just used by the young and female. When you’re on the lookout for it, you’ll hear uptalk from people of many demographics. Yet I’ve never heard anyone condemn New Zealanders’ speech for not being authoritative or confident enough, despite their rampant use of uptalk at all ages and genders. I also hear many men, including former President George W. Bush, using uptalk, and have yet to hear any of them be chastised for not sounding authoritative enough. In fact, there's no conclusive evidence that women even use uptalk more than men.

If you've stuck with me this far, I highly recommend reading the two articles above. You will never listen to a conversation the same way again! (I know, I know, overanalyze much?) To sum up, what I've always subconsciously assumed—that uptalk is an automatic self-negation of one's own point of view—is really nothing more than a widespread, learned cultural trait, a meme if you will, that has been misattributed as a "girlie" habit. Phew!

And there you have it. If you, like me, are unusually attuned to words in all their forms, from spoken to written to sung to signed, and tend to notice the way they're presented a little more acutely than the average person (because you're a writer and you simply can't help having a bit of savantism about language), you can rest and read easy knowing that uptalk is nothing to fear, nothing to hide from, nothing to be embarrassed of, and most importantly, not an indication that you nothing meaningful to say.

PS: For the curious, I have more, yes, much more to say about language in this post here.

Announcement: Martin's first novel, Inside the Outside, was an Amazon best-seller in horror and won the grand prize in the 2012 Paris Book Festival. His newest best-seller, The Vampire, the Hunter, and the Girl just came out. Lovers of paranormal and horror, these are both shoe-ins for date night with a novel. I heartily encourage you to check them out!

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Feeding the ThinkBeast

I hit a milestone last night and finished my fourth novel (happy happy, joy joy). This newest is significant for a number of reasons. First, it’s the first novel I’ve started and finished in less than about a year. I penned the first words last November, got about 25K in, then stopped for a month and wrote the outline.

That’s milestone number two: this is the first novel I actually plotted start to finish before getting too deep in to back out and rework significant parts. And, as incredible as it may sound, this actually worked! Once the outline was done, the book came together in three short months (with many deviations from the original projection, naturally, but still with minimal fits and starts, as was usual).

The third milestone is that this is my first (completed) fantasy novel—though I have my share of started-and-abandonded fantasy stories clogging my hard drive, but don’t we all.

And finally, this book was just feckin’ fun to write! This is the first novel I’ve done where I wasn’t having to bribe, threaten, and coerce myself to get to the keyboard some days and put down new words. It was a nonstop funfest from prologue to epilogue, and I am monumentally excited about it!

Lots to do before this opus is ready for the world, not least of which is to finish the outlines for the subsequent two novels (this is book one of a trilogy). I also have the sticky wicket of an issue of deciding on a title, a notoriously difficult thing for me, and writing the blurb, which is always a task I love doing. And of course, many, many edits, beta rounds, critiques, and proofreading to be done, along with commissioning cover art. But I’m still thrilled, not even close to overwhelmed, and bouncing-off-the-walls excited about spending more time with this cadre of quirky and crazy characters.

This writing thing—it's really neato.

Thought I’d share with you all the main ingredient that is part of every writing and editing session I commence. Music. The food that feeds the muse and the mind, aka the ThinkBeast. Several albums spun round on repeat on Grooveshark and my sweetie and my shared iTunes library during the creation of this novel. Like a drug that runs throught one’s veins, music tends to leave its mark on writing, I think, and subtly, and sometimes not subtly, contribute to the tone of the words you write. So here’s my list; perhaps you’ll find on it music to inspire your own writing or art-of-choice projects.

Stoa — everythingDiary of Dreams — everythingKilling Joke — mostly 2003, Absolute Dissent, and Extremities, Dirt and Repressed EmotionsTrevor Morris — Vikings soundtrackClint Mansell —Doom and Requiem for a Dream soundtracksJohn Murphy — Sunshine and 28 Days Later soundtracksTyler Bates —300 soundtrackTwo Steps From Hell — mostly Skyworld and SolarisWilliam Control — mostly Noir, Beautiful Losers, and Hate CultureJunkie XL — 300: Rise of an Empire soundtrack

There are lots of others, but these few were played nearly everyday. Though there’s quite a bit of moody, gothy, dark-wavey stuff in there, I swear the book has lots of moments of light and laughter! Pinkie swear.

Let's hear from you. What do you like to listen to when you're writing?

Happy listening, and especially happy writing, y'all!!!

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I Have a Story On the Moon, aka, Luna Station Quarterly

Greetings Blogolotticans!Just a quick announcement that I have a new-slash-old story out in print today with the intrepid Luna Station Quarterly magazine. The story, "Indulgence," was originally released in my four twisted tales of love and lust collection, On Hearts and Scorpions, back in 2012 (the first collection I ever indie published, as a matter of fact. How special! This is the third story in the collection that has also been published in other literary mags. Yay me!). Now, here it is in all its glory with LSQ, a speculative fiction magazine featuring stories by emerging women authors.And even more exciting, this is their first ever printed volume, so they're offering a a ten percent discount. Get more info here, and don't miss out on these fun new stories by some more badass authors. You can also buy direct from Amazon.If you pick up the magazine and enjoy "Indulgence," don't hesitate to let me know. I'll even send you a free review copy of On Hearts on Scorpions. How's that for helping you stock up on reading material?Cheers and happy reading!

The Best I Read In 2014

Bloggdorites! I have been so super busy as the year ends with working and doing this simple little, totally mundane, non-time-consuming thing known as "writing a book or two"—you probably know what I mean—that I haven't had time to do any blogging. I'd love to share all the incredible books I've read this year with you all, but instead, let me just borrow this list from the great speculative fiction author Scott Whitmore. And by the way, his 2014 novella Green Zulu Five One is DEFINITELY one of the best I read this year. Check out my review, and enjoy this list of greats!

Book Review: Green Zulu Five One and other stories from the Vyptellian War

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Green Zulu Five One and other stories from the Vyptellian WarGreen Zulu Five One and other stories from the Vyptellian War by Scott WhitmoreMy rating: 5 of 5 stars

If you want the short version of my review, here it is: I loved this story.

Now for more: The first line of Green Zulu 51’s jacket copy is “A war of millions is fought by individuals,” and this gets right to the center of the brilliance that is speculative fiction author and former US Navy officer Scott Whitmore’s military science fiction novella. I enjoy a good space battle—with fighters contesting not only enemies, sometimes aliens, and incredible futuristic weapons, but also the zero-g properties of outer space, the distance scales that ensure rescue from outside could never happen, and the uncertainties and unknowabilities of things like dark matter and wormholes—as much as the next person, but at the end of the day, no story can really keep my imagination occupied for long if the people living that story aren’t interesting, authentic, and "real." Whitmore is a master at painting the stories he tells with vivid clarity and attention to every little detail, as well as bringing the people within them to dramatic life. The characters in GZ51 are all people you'll feel like buying a drink for and spending hours with just listening to their war stories. They are each unique, interesting, surprising, and deeply substantive, which is a pleasant turn for a story that isn’t quite novel length about an intergalactic war.

GZ51 is told in a style that puts readers directly inside the minds and boots of its main characters, a hotshot fighter pilot who isn’t even old enough to drink legally, a grizzled war veteran with more survival instinct in her little finger than most platoons have in their full ranks, and a tired administrative clerk who faces a losing battle that has nothing to do with guns and tactics. Whitmore engages all the senses and brings his battle scenes flying off the page, while skillfully weaving in the psychology and histories of his characters, leaving readers feeling almost as if they’ve been there, done that right beside each of them.

For such a relatively short tale, GZ51 leaves no stone unturned in exposing the intricacies of war from its zoomed-out view of historical, political, and cultural genesis, to the zoomed-in and intimate view of the goals, hopes, and fears of each of its characters, who must fight it in their own ways. Incredibly entertaining and highly recommended. I wish I could give it 10 stars.

Side note: The Devil’s Harvest, the author's alternate steampunk history—with zombies!—of WWI is equally brilliant and a rollicking good read! And bonus, here's an interview I did of Scott talking about writing in steampunk and paranormal genres a while back, too.

View all my reviews

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All content copyright unless otherwise specified © 2014 by Tammy Salyer, writer. All rights reserved.

Speculative Fiction and the Curse of Internal Consistency

WARNING: Prepare for a long, rambly post on writing that doesn’t really have a point but to wring out recent writing experiences from my saturated brainmeats.

Building worlds is a job that once fell firmly in the laps of beings like Brahma, Mbombo, Ranginui and Papatuanuku, or even planetary deities, like that scene in Firefly where Saffron explains to Wash the myth of Earth that Was, i.e., the gods and goddesses of the myriad different creator myths of the world. In truth, myths are nothing but best-selling stories with a very long shelf life, right? (So, by extension, since writers are world builders, does that make us gods? Just curious…)

Thanks to their highly active imaginations and the luck of being born or indoctrinated into priest class cultural roles, the original storytellers who dreamt up these fantastical and entertaining origination myths were pretty much free to think big and go long. Granted, the lighting was poorer in those days, which made penning intricate tales late into the night a sure recipe for myopia, and a general lack of hygiene predating written books would have made the oral tradition of storytelling a bit less enjoyable to listeners, but storytellers, being a tenacious and overly wordy bunch, would rarely let much short of death stop them. One thing that is universally true of word nerds is that we all suffer from the same incurable verbarianism.

Yet I can’t help but reflect on the experiences of these storytellers and wonder if they confronted the same issue that I am currently butting my head against. That of building, or creating the myth of, a new world and keeping the facts straight in the process. Nothing sucks more during the writing phase as plunging facefirst into the pestilent seas of incongruences and misremembered facts, where details begin to slither around each other and create a soul-sucking quagmire of internal inconsistencies. We all know that feeling of writing happily along and then BAM! Stopped dead in our tracks when we discover “If this is this way, then that can’t be that way, because, well, physics for one, and…" Rewriting before one is even halfway through takes a lot of the fun out of noveling. It's like turning back after mile 13 of a marathon because you aren't happy with your split times. I think the lesson from most great novelists would be: Don't do that.

Early myth makers had a luxury that those of us who publish books in modern times, which can't be recollected from our readers (and wiped from their memories), didn’t, and that was the ability to change the facts of their stories on the fly when someone pointed out a contradiction. Or, as happens so often in long-lived mythologies, the facts are left to remain contradictory, but the story is shored up by minions of supporters fabricating inarguable arguments like “We must have faith. God works in mysterious ways,” which are supposed to somehow imply that there is no inconsistency, it is simply that our limited human mental and spiritual capacities can’t possibly grok the real truth.

But again, that is a luxury the modern storyteller doesn’t have, and won’t have until we too reach the level of transcendentalism that codifies us as deities in our own right. Walter F. Miller’s 1960 novel A Canticle for Leibowitz explores this theme in a sublime way. Not so much the deification of your average human, but the way in which something relatively inconsequential can become a holy relic through the passage of time because of nothing more than the simple and limited ability of humanity to sustain specific comprehension over epochs. If you haven't read it, the time is now. But I digress.

Early myth makers and their creation stories in a way are a parable for the modern storyteller and our job of creating self-sustaining and internally consistent worlds. Where they’ve had centuries to “get it right,” or at least for fans of their stories to redefine and rewrite problematic points, we, as write-publish-repeat storytellers, only get one shot. It’s a big job to create a workable and believable world, and we don’t even get the satisfaction of knowing someone somewhere may erect a giant statue or church in honor of our books and characters. We are so unloved.

Still, we persevere, because getting it right is more important than getting it done. Right? Right? Which makes it seem as if weare overly analytical, anal retentive organization junkies, and also not really committed to finishing our WIP. But that’s a balance each of us must strike on our own, the balance of knowing when it’s time to stop outlining and noodling to ourselves over various aspects of the work, and when it’s time to start doing the actual writing.

I know I used to shy away from writing even a single scene for fear that it would end up having no place in the final plot. But that’s a baseless fear. Any writing, good or bad, is meaningful writing because you are training your brain for whatever specific story you’re working on, allowing a cerebral exploration just as effective and important as the pre-writing preparation you’ve already spent however many days, weeks, or possibly years, doing. The real danger is not in having to rewrite, but in not having ever reached that point where you start writing. If all one ever does is ponder their stories, it’s just mental masturbation with very little satisfaction.

Maybe I’ll take all those scenes from all those books I’ve written and have had to cut, smush them together into something like an apocrypha, entomb them in a time capsule with a bunch of pretty baubles and important-looking documents, and leave them for the future. Who knows, someday even they could become the genesis of some new myth-based spiritual woo-woo sect, though I really feel for anyone who might get caught up in it. That would be some disturbingly crazy shit. I guess the lesson here, and the thing I’ve been talking myself into, is don’t let yourself get caught too much up in the endless intricacies of worldbuilding before you start writing (unless your name starts with a J and ends with Tolkien). Both are essential to a cohesive and finished novel, but giving yourself the indulgence of doing both simultaneously will get you from masturbation to publication faster than not. What do you all think?

Incidentally, some of my favorite novels that explore myths of creation and deities include Terry Pratchett’s Small Gods, Marion Zimmer Bradley’s The Mists of Avalon, Neil Gaiman’s Anansi Boys, and K. Scott Lewis’s When Dragons Die series.

Spectrum of Speculative Fiction Contest Winner is...

It has come to end, and what a fabulous ride it was! Yes, Twitter- and Wordpress- and Facebook-verse, it's true. The Spectrum of Speculative Fiction Blog Hop and Contest is over (for now). If you haven't already, please take a minute to check out author Peter Lukes and Musa Publishing to pick up even more great books, and thanks to them for organizing this great event for both readers and writers.The Amazing Thunderclap Newman, son of The Amazing Hip, has graciously accepted the Magical Hat Draw responsibilities for picking my contest's winner. Incidentally, his favorite female heroine is Saphira from Eragon.

>And The Winner Is<

[youtube http://www.youtube.com/watch?v=hsioCxV4AI0]

Thanks to everyone for being part of this great experience, and a huge congratulations to Ysobel, aka, Spunky Wayfarer!!!

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All content copyright unless otherwise specified © 2008-2013 by Tammy Salyer, writer. All rights reserved. Permission is granted to use short quotes provided proper attribution is given.

Spectrum of Speculative Fiction Contest

specficbanner2.jpgWelcome to the Spectrum of Speculative Fiction Blog Hop, contest, and giveaway!From March 8th to the 10th, you'll have multiple opportunities to enjoy the wit, wisdom, and writing of a top-notch cadre of speculative fiction authors, including story engineers of everything from military science fiction, to fantasy, to science fiction horror, to science fantasy, and still more shining jewels that fit in the spaces between these genres. In other words, a cornucopia of speculative deliciousness for all palettes.You're probably asking yourself, isn't all fiction, by definition, speculative? Oh dear readers, you are so right! That being said, I'll merely comment that this group of writers has a coloring-outside-the-lines habit of speculating a bit more than some.Who Are the Authors?K. Scott Lewis ~ Inner Worlds FictionThe Magical World of Peter LukesIsaac Hooke (my review of Isaac's serial novel The Forever Gate – Part 1)The Stoneforger's DenThe Official Website of T.L. SmithNyki BlatchleyW.J. DaviesFalcon's Fables, Nancy DiMauroMartin Bolton and David PillingEleni KonstantineDevin HodginsMichael K. RoseClarissa Johal ~ Writing With ScissorsAnd, of course, yours truly |*salutes* | Tammy Salyer ~ Alternative Reality EngineerWhat You'll GetMy giveaway includes an ecopy of one of my three books, Contract of Defiance, its followup Contract of Betrayal, or a short story collection, On Hearts and Scorpions (winner's choice). ALSO the winner will receive a $20 Amazon gift card (to buy even MORE books).How To Enter And WinAs mentioned in this recent blog post about Why I Write Science Fiction, one of my primary inspirations for writing SF has been the range of female characters in the media who you'd definitely want at your back in a knockdown dragout. I want to know, as SF&F readers and movie watchers, which women protagonists have really turned your knobs and why.Leave a comment on this post by midnight March 10th and you'll be entered to win. As a bonus, if you also share news of the blog hop with your social networking circles and let me know as part of your comment, you'll be entered twice. And finally, if you sign up to follow my blog, you'll be entered three times! The more entries you have, the better your chances.All entries will be very non-scientifically tossed into a hat and the winner drawn at random on March 11th. I'll announce the winner right here.Happy reading and contest-entering all! Click here for another list of all participating authors.

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All content copyright unless otherwise specified © 2008-2013 by Tammy Salyer, writer. All rights reserved. Permission is granted to use short quotes provided proper attribution is given.